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June 03 2011

02mydafsoup-01
[...]

Message By Lulzsec:
Our goal here is not to come across as master hackers, hence what we're about to reveal: SonyPictures.com was owned by a very simple SQL injection, one of the most primitive and common vulnerabilities, as we should all know by now. From a single injection, we accessed EVERYTHING. Why do you put such faith in a company that allows itself to become open to these simple attacks? What's worse is that every bit of data we took wasn't encrypted. Sony stored over 1,000,000 passwords of its customers in plaintext, which means it's just a matter of taking it. This is disgraceful and insecure: they were asking for it.

[...]

--------------------------------------------------

// oAnth:

- www.wired.com/threatlevel/2011/06/sony-lulzsec/
- reflets.info/securite-sony-se-prend-une-nouvelle-claque/
- www.golem.de/1106/83932.html

The general online media output is IMHO up to now low. I guess the mainstream media are avoiding intentionally to cover it as a focus in their news head lines.

encrypted.google.com/search?hl=en&q=Sony+Hacker+lulzsec&aq=f&aqi=&aql=&oq=
Sony Pictures hacked and Database Leaked by LulzSec ~ THN : The Hackers News 2011-06-02
Reposted bykrekkekeliasmondkroetecheg00brightbytenerdbeere2kdatenwolfleyrer

June 02 2011

02mydafsoup-01

skype-open-source

Skype protocol reverse engineered, source available for download

May 26 2011

02mydafsoup-01
Open rights group

Open Rights Group

Watch the torrent release of The Tunnel for free BEFORE the cinema release! http://vo.do/1ViA

oAnth - via diaspora | 2011-05-27 

April 25 2011

02mydafsoup-01
Bourdieu: On Television (essential reading for anyone who wants to use television to challenge the social order) http://ifile.it/bnhlrd
Twitter / Ben Geer: Bourdieu: On Television (e ... 2011-04-25

April 14 2011

02mydafsoup-01
3 #Dada Magazines (mostly by Tristan Tzara, 1917-18) | pdf at @Ubuweb via Miscellanea, a paper.li daily - edited by @ramage - http://bit.ly/dHzNTY
Twitter / 02mytwi01: 3 #Dada Magazines (mostly ...

U B U W E B :: Dada Magazine






Dada Magazine (1917-1918)


Dada 1, July 1917 [PDF, 2.7mb]
Dada 2, December 1917 [PDF, 3.1mb]
Dada 3, December 1918 [PDF, 7mb]


Attempting to promulgate Dada ideas throughout Europe, Tristan Tzara launched the art and literature review Dada. Although, at the outset, it was planned that Dada members would take turns editing the review and that an editorial board would be created to make important decisions, Tzara quickly assumed control of the journal. But, as Richter said, in the end no one but Tzara had the talent for the job, and, "everyone was happy to watch such a brilliant editor at work."[10] Appearing in July 1917, the first issue of Dada, subtitled Miscellany of Art and Literature, featured contributions from members of avant-garde groups throughout Europe, including Giorgio de Chirico, Robert Delaunay, and Wassily Kandinsky. Marking the magazine's debut, Tzara wrote in the Zurich Chronicle, "Mysterious creation! Magic Revolver! The Dada Movement is Launched." Word of Dada quickly spread: Tzara's new review was purchased widely and found its way into every country in Europe, and its international status was established.

While the first two issues of Dada (the second appeared in December 1917) followed the structured format of Cabaret Voltaire, the third issue of Dada (December 1918) was decidedly different and marked significant changes within the Dada movement itself. Issue number 3 violated all the rules and conventions in typography and layout and undermined established notions of order and logic. Printed in newspaper format in both French and German editions, it embodies Dada's celebration of nonsense and chaos with an explosive mixture of manifestos, poetry, and advertisementsÑall typeset in randomly ordered lettering.

The unconventional and experimental design was matched only by the radical declarations contained within the third issue of Dada. Included is Tzara's "Dada Manifesto of 1918," which was read at Meise Hall in Zurich on July 23, 1918, and is perhaps the most important of the Dadaist manifestos. In it Tzara proclaimed:

Dada: the abolition of logic, the dance of the impotents of creation; Dada: abolition of all the social hierarchies and equations set up by our valets to preserve values; Dada: every object, all objects, sentiments and obscurities, phantoms and the precise shock of parallel lines, are weapons in the fight; Dada: abolition of memory; Dada: abolition of archaeology; Dada: abolition of the prophets; Dada: abolition of the future; Dada: absolute and unquestionable faith in every god that is the product of spontaneity.
With the third issue of Dada, Tzara caught the attention of the European avant-garde and signaled the growth and impact of the movement. Francis Picabia, who was in New York at the time, and Hans Richter were among the figures who, by signing their names to this issue, now aligned themselves with Dada. Picabia praised the issue:
Dada 3 has just arrived. Bravo! This issue is wonderful. It has done me a great deal of good to read in Switzerland, at last, something that is not absolutely stupid. The whole thing is really excellent. The manifesto is the expression of all philosophies that seek truth; when there is no truth there are only conventions.

  
[...]




SOURCE: http://www.artic.edu/reynolds/essays/hofmann.php


PDF conversions by Phil Julian


RELATED RESOURCES:

Helmut Herbst, "Deutschland Dada" in UbuWeb Film
Hans Richter in UbuWeb Film
Tristan Tzara in UbuWeb Sound

 

via ubu.net

 

March 27 2011

02mydafsoup-01

Who Says What to Whom on Twitter | Yahoo! Research

Who Says What to Whom on Twitter

Source:

(2011)

Abstract:

We study several longstanding questions in media communications research, in the context of the microblogging service Twitter, regarding the production, flow, and consumption of information. To do so, we exploit a recently introduced feature of Twitter---known as Twitter lists---to distinguish between elite users, by which we mean specifically celebrities, bloggers, and representatives of media outlets and other formal organizations, and ordinary users. Based on this classification, we find a striking concentration of attention on Twitter---roughly 50% of tweets consumed are generated by just 20K elite users---where the media produces the most information, but celebrities are the most followed. We also find significant homophily within categories: celebrities listen to celebrities, while bloggers listen to bloggers etc; however, bloggers in general rebroadcast more information than the other categories. Next we re-examine the classical ``two-step flow'' theory of communications, finding considerable support for it on Twitter, but also some interesting differences. Third, we find that URLs broadcast by different categories of users or containing different types of content exhibit systematically different lifespans. And finally, we examine the attention paid by the different user categories to different news topics.


Download:


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