Newer posts are loading.
You are at the newest post.
Click here to check if anything new just came in.

August 20 2013

Erasing Palestine From the Map » CounterPunch : Tells the Facts, Names the Names

Erasing Palestine From the Map » CounterPunch: Tells the Facts, Names the Names
http://www.counterpunch.org/2013/08/20/erasing-palestine-from-the-map

A foreign affairs blogger [#Max_Fisher] for The Washington Post recently posted “40 Maps that explain the world.” Some of the maps are important (“Economic inequality around the world”), some are interesting (“Meet the world’s 26 remaining monarchies”), but others grossly distort the reality they purportedly represent. Chief among this latter category is “How far Hamas’s rockets can reach into Israel” .

http://www.counterpunch.org/wp-content/dropzone/2013/08/WashPostMap.jpg

... a map showing where and with what deadly ramifications Israel’s responses have taken place, such as this one (1) produced by the Alliance for Justice in the Middle East at Harvard University and the MIT Center for Future Civic Media, didn’t make the Post’s list.

Any attempt to cartographically represent the context within which Hamas’s rockets and Israel’s “response” may have been launched, such as this UN map (2), is also entirely missing from the Post’s compilation.

In addition to nearly erasing the Palestinian West Bank altogether, the Post’s map reveals nothing about the multiple ways in which the territory is occupied by Israel.  Maps of Israeli-only roads, checkpoints, the separation barrier, settlements, and the ethnically-based divisions of the West Bank (such as these from Btselem, the Israeli Committee Against Home Demolitions (3), and The Applied Institute for Research – Jerusalem (4)) don’t, according to the Washington Post, help explain this part of the world as much as Gene’s map of Hamas’s rocket-firing potential.

The Washington Post’s map of choice sheds no light on the Palestinian villages within Israel that were ethnically cleansed and destroyed in 1948-1949.  References to these maps from the Palestinian Academic Society for the Study of International Affairs (PASSIA) and Visualizing Palestine could have at least begun to cartographically resurrect these erased landscapes.

The Dangers of Distorted Cartography

In sum, The Washington Post’s map explains very little about this part of the world.  But what the map does reveal is The Washington Post’s myopic view of Israel and Palestine.  The ongoing colonization of Palestine by Israel is reduced and reversed, in this map’s representation, to a normal country that must fend off existential threats from its shadowy neighbors.  The effects of this distorted cartography are dangerous—erasing the geographies of Palestine is yet another step in the ongoing occupation and ethnic cleansing of Palestine.

#Robert_Ross is an Assistant Professor of Global Cultural Studies at Point Park University, in Pittsburgh, Pennsylvania.

(1)
http://gazasiege.org/images/gazasiege_map_jan2009.jpg

(2)
http://www.ochaopt.org/documents/ocha_opt_gaza_blockade_map_june_2012_english.pdf

(3)
http://www.icahd.org/sites/default/files/Map4_WB_Closures_2.jpg

(4) http://www.arij.org/images/stories/pictures/maps/Geopolitical%20map%20of%20the%20west%20bank%202009.jpg

#Palestine #Israël #manipulation #inversion #cartographie

June 30 2013

The Collaboration — Ben Urwand | Harvard University Press

The Collaboration — Ben Urwand | Harvard University Press
http://www.hup.harvard.edu/catalog.php?isbn=9780674724747

http://www.youtube.com/watch?feature=player_embedded&v=_UJrSc4PXVM

To continue doing business in Germany after Hitler's ascent to power, Hollywood studios agreed not to make films that attacked the Nazis or condemned Germany's persecution of Jews. Ben Urwand reveals this bargain for the first time—a “collaboration” (Zusammenarbeit) that drew in a cast of characters ranging from notorious German political leaders such as Goebbels to Hollywood icons such as Louis B. Mayer.

At the center of Urwand's story is Hitler himself, who was obsessed with movies and recognized their power to shape public opinion. In December 1930, his Party rioted against the Berlin screening of All Quiet on the Western Front, which led to a chain of unfortunate events and decisions. Fearful of losing access to the German market, all of the Hollywood studios started making concessions to the German government, and when Hitler came to power in January 1933, the studios—many of which were headed by Jews—began dealing with his representatives directly.

Urwand shows that the arrangement remained in place through the 1930s, as Hollywood studios met regularly with the German consul in Los Angeles and changed or canceled movies according to his wishes. Paramount and Fox invested profits made from the German market in German newsreels, while MGM financed the production of German armaments. Painstakingly marshaling previously unexamined archival evidence, The Collaboration raises the curtain on a hidden episode in Hollywood—and American—history.

Older posts are this way If this message doesn't go away, click anywhere on the page to continue loading posts.
Could not load more posts
Maybe Soup is currently being updated? I'll try again automatically in a few seconds...
Just a second, loading more posts...
You've reached the end.

Don't be the product, buy the product!

Schweinderl